Kaléidoscope
Kaléidoscope
Pascale Rouet
Christophe Marchand
Publisher: Organroxx
Year published: 2022
Catalog ID: ORG 06
EAN: 5430000849937
Belgium, Mons, Église Collégiale Sainte-Waudru: Thomas Manufacture d'Orgues 2017 [IVP 76 (61)]
Track name | Track composer(s) | Track artist(s) |
---|---|---|
Cuncti simus concanentes
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
Nun komm der Heiden Heiland
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
O Lamm Gottes unschuldig
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
Vater unser im Himmelreich
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
Sonate kaléidoscopique
|
Christophe Marchand | Pascale Rouet |
Pietà
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
Esquisse
|
Christophe Marchand | Pascale Rouet |
Échappée belle
|
Christophe Marchand | Pascale Rouet |
Sous un ciel d'azur
|
Christophe Marchand | Pascale Rouet |
Clin d'oeil
|
Christophe Marchand | Pascale Rouet |
Le livre de Jérôme Bosch / 1 Genèse
|
Christophe Marchand | Pascale Rouet |
Le livre de Jérôme Bosch / 2 Chute
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
Le livre de Jérôme Bosch / 3 Prière
|
Christophe Marchand | Pascale Rouet, Françoise Masset |
Le livre de Jérôme Bosch / 4 Enfer
|
Christophe Marchand | Pascale Rouet |
Christophe Marchand
Eclectic in his activities (academy inspector, masters degrees in history and geography, lecturer and author of textbooks, member of competition juries, organist, musicographer…), Christophe Marchand has composed some fifty works for organ, solo or ensemble. As Aurore Léger describes it in Classica: “steeped in the realm of ancient masters, yet resolutely modern, his pen invites us to explore distant, dreamlike and willingly lyrical horizons, which testify to the vitality of the music of our time.” Regularly performed in France and abroad, his works are published by Delatour France and have been the subject of a dozen discographic and radio recordings.
Pascale Rouet
International concert artist and professor at the Ardenne Métropole Conservatoire, Pascale Rouet is also chief editor of Orgues Nouvelles, author of numerous musicological texts and methods of organ tuition. As Michel Roubinet notes: “among the great names of the French organ, few are as invested as she is in the music of their time. Not only as an interpreter, but also as a teacher, she has recorded many CDs andand premiered many organ works by a wide variety of composers.” She plays the music of Christophe Marchand with “this freedom of sensitive musicians, combining an extreme and ardently acquired precision with true spontaneity, humanly invested in the restitution of a music that she knows and feels intimately” (Concertclassic.com). www.pascalerouet.org

Françoise Masset
Françoise Masset is both a singer and an actress. Equally at ease in the tragic repertoire as in comedy, it is difficult to give a true image of het panoply. As Ivan A. Alexandre points out in Diapason: “Les Cantates de Bistrot of Vincent Bouchot, Armide of Gluck, Dardanus of Rameau, all Lully by Hugo Reyne, she was there. In the Berliozian muse of the Carpe Diem ensemble and the Medea of Michèle Reverdy, it was always she, one of our rare last declaimers, who knew where to place the tonic and pathetic accents in Lully’s Isis, as in the song of Kosma”.